Coldplay
#61
Posted 14 kwietnia 2008 - 22:13
#62 Guest_depe_*
Posted 23 kwietnia 2008 - 15:10
Na płytce: piosenka Violet Hill oraz ekskluzywny b-side A Spell A Rebel Yell
Szukajcie w Empikach po 7mym maja!
Można też zamówić online tu ale koszty zniechęcają (2,20 GBP magazyn + 11,50 GBP wysyłka do PL)
#64
Posted 23 kwietnia 2008 - 16:12
However, the song does not start with the jagged guitar Rolling Stone said, but with an atmospheric intro of about 15-20 seconds very Eno-esque. Then the guitar and piano begin to sound. Their riffs are heavier, faster and louder than ever. I don't think I've heard Buckland studio work this hard (live you always hear it louder and lower), but it's very attractive combined with the piano.
Chris voice is his low voice of the Parachutes era, but seems to be just stronger, muscular, not delicate till the end of the song. Not a single falsetto note here.
Also, the bass and drum sound different from general past Coldplay songs. Here they define the whole rhythm by themselves, especially Will's work. It's very distinctive and it has an intense effect between verses, and especially after every chorus. You think the drums are going to end, but they follow and remark these moments. You'll recognise very well this part of the song: bam, bam, bam, bam, bam, bam, bam, bam (six or seven times I think).
There's an intermediate guitar bridge before the final chorus, a continued riff, in which sometimes I thought of a Pink Floyd Dark Side or Pulse era, atmospheric soundful but at the peaks of the guitar distorted.
After the final chorus, there's the end, a coda of 35-40 with Chris only on the piano and singing low. Here his voice is delicate but not mellow. Seems to express he's broken inside, sadder and lonelier than ever, and the song slowly fades after the last word and note and dissapears into atmospheric as well, bringing you loneliness but strength.
The structure of the song is very Coldplayish, but the general sound is different, in the way of being more mature, stronger and epic without pretending it (unlike some X & Y songs). The instruments are very well integrated, much better than other times, but in many parts, an instrument carries by itself the song. Eno Production makes them sound louder, stronger but not pretentious. It feels both natural evolution, and I hope for the rest of the songs, seems to announce a more adult themed work and the step beyond we were awaiting.
Jestem ciekaw tych wpływów Eno.
#67
Posted 29 kwietnia 2008 - 11:41
#73
Posted 29 kwietnia 2008 - 13:18
Przed chwilą też mi się udało ale po kliknięciu "submit" ostateczny krach nastąpił - przekroczony limit połączenia itd.
Dostałaś jakąś odpowiedź?
cos probowalo sie wyswietlic ale w ostatecznosci zobaczylam jakies ramki tylko :/
czyli tak naprawde nie wiadomo czy sie zarejestrowalam. lipa.
poczekam jakis czas i sprobuje jeszcze raz.
#76
Posted 29 kwietnia 2008 - 13:26
#79
Posted 29 kwietnia 2008 - 13:40
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